WE ARE PUTTING IN THE FINISHING TOUCHES CUEFORGE2 SHOW CONTROL — COMING SOON
Show control for macOS

Every cue in the show.
One list.

Audio, video, lighting, MIDI, timecode and network cues live together in a single cue list — with a backup Mac following along, silent and sample-locked, ready to take over.

Free 30-minute demo sessions — no account, no card. Every feature works. macOS 13 or later.

Tempest — Act I.cueforge Session · 2 Macs
  1. 12 Preshow music Audio —:—
  2. 13 House to half Light 0:03
  3. 14 Act I — opening Group 2:41
  4. 14.1 Storm bed Audio 2:41
  5. 14.2 Upstage projection Video 1:58
  6. 14.3 Thunder crack Audio 0:06
  7. 15 Lightning hit Light 0:01
  8. 16 Fade storm out Fade 8:00
GO NEXT 15 · Lightning hit 00:01:41.3
An illustration of a CueForge cue list mid-show. Cue 14, an Act I opening group, is playing with three subcues taking over from one another, and cue 15 is armed next.

Built for the whole show, not one department

Most rigs end up as three machines and a lot of trust. CueForge runs the sound, the projection and the lights off one cue list, so the cue you press is the cue that happens.

The CueForge window during a show: a cue list containing text, audio, video, image and group cues, with cue 2 running, LTC and elapsed clocks above it, and the playback inspector open below.
Text, audio, video, image and group cues in one list — with the clocks, the transport and the selected cue’s playback settings all on the same screen.
Audio

128 outputs at 96 kHz, patched how you want

Route any cue to any hardware channel through a crosspoint patch matrix. Per-cue effects racks, fades on real curves, slices, ducking, and a booth feed that follows the mix without touching it.

Video

A Metal compositor, not a player

Lens correction, edge blending and mesh warp per projector, with composite surfaces spanning several outputs from one cue. NDI and Syphon in and out.

Lighting

Art-Net and sACN, with a patch

Fixtures with named parameters and plain-language cues — front-wash.intensity = 80 — merged per parameter, plus raw DMX scenes when you want them.

Control

It talks to the rest of the rig

MIDI notes, CC and MSC. OSC in and out. LTC and MTC generation and chase. HTTP, serial and AppleScript. A web remote, and Stream Deck support with no middleware.

See everything it does

Redundancy

Run a backup machine, or don’t

One Mac runs a show perfectly well. When the room needs a safety net, a second Mac joins the session and mirrors the first — same cue list, same playhead, one click from taking over.

Edits arrive as you make them

Change a cue on the primary and the backup has it before you look up.

Silent until it isn’t

The backup runs the show with its outputs muted, so nothing double-triggers.

Drift-corrected playback

A control loop nudges playback rate so both machines stay locked to the same clock, not just started together.

Takeover in one click

Promote the backup manually, or let it promote itself when the primary stops answering.

Drive it from wherever you are standing

Booth, stage, tech table or the back of the room — the same show, on whatever surface is in reach.

Stream Deck Direct USB. No Companion, no bridge software.
Web remote Any phone on the network. No app to install.
Presenter view A confidence monitor you lay out yourself.
AppleScript A full dictionary, for the rig that needs gluing.
OSC Two-way, with a documented address space.
Timecode Generate or chase LTC and MTC.

See it in your own rig

Download it and run 30-minute demo sessions for free — no account, no card. Subscribe when it earns a place in the rack.

From $19 a week · $599 a year · 3 Macs per subscription